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Brick Making

Click on the photos to see an enlarged version





This brick kiln is located near the Catune Village in the Motru River Valley.


Catune Brick Kiln
This is a home made pug mill, which is used to take clay and water, and turn it into a form which can be made into bricks. To pug clay without a machine such as this is very laborious.

The machine seems to have been made with parts of an old tractor, and it appears that it is now driven by a belt around the drum on the right. The power take off from an old tractor is used as a gearbox to slow down the output, and give it more torque. This mechanical force is fed to a very strong drive shaft and universal joints (probably also salvaged from a tractor or truck), which in turn drive the mill which mixes the clay and water.

The clay and water mix is put into the hopper on the left, and the finished clay comes out on the other side, not visible in this photo.

The clay should first be dried and pulverised, and then sieved to remove organic matter and rocks.

It is best to wet the clay first before placing in the mill, rather than just tipping in dry clay and water.

Photo: Adrian Gheorghe 2007




Catune Brick Kiln
After the bricks are cut or moulded from the clay, they are stacked to dry under the shelter of this roof, which uses cheap though effective tar paper to keep off the rain and snow. The structure itself is made of debarked round poles which are also cheap, and available locally just for the labour of cutting them, but do the job.

The "green" bricks must dry slowly, away from the heat of the sun but in a warm spot where there is plenty of air circulation, so that they do not crack but dry uniformly before they are put into the kiln to be fired.

Photo: Adrian Gheorghe 2007




Catune Brick Kiln Catune Brick Kiln
The "green" unfired bricks are themselves used to construct a kiln. The usual fuel in cases like this is charcoal, which burns well and occupies little space. It is packed in between the bricks, and there are air holes which may be opened up as necessary during the firing of the bricks, which takes a few days. The whole outside of the kiln is plastered with clay to stop up air leaks, and to keep some of the heat in.

The wooden poles around the kiln probably supported temporary roofing during the building of the kiln, to keep off rain and dew from the green bricks until the kiln was ready to be fired. The temporary cover was then removed before lighting the fires.

Photo: Adrian Gheorghe 2007




Catune Brick Kiln
After the bricks are fired, the air holes are plastered over, and the whole kiln is left to cool very slowly, which may take a week or more. The kiln is then dismantled, and the bricks are then stacked to be sold for construction. A few "green" or unfired bricks may be seen on the right of this stack of fired bricks, probably left over from the construction of the kiln in the photos above.

These bricks appear to have been cut rather than moulded. This sort of brick is most often used for brick constructions inside the building where they will not be seen, and are known as "commons" in english. Bricks which are suitable for outside or inside walls where they will be seen are called "face" bricks, and are more expensive and more carefully made. "Commons" can, however, be used for all of the walls of a house if they are to be "rendered" or coated with a cement plaster, and later painted.

The plastic sheeting shown here is used to cover the wet clay before it is used to make the bricks, and sometimes placed over the drying bricks to slow the drying process if necessary in hot and dry weather. It may also be the remains of the temporary roofing used over the kiln while it was being built.

Photo: Adrian Gheorghe 2007











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This site is to publicise the history and culture of Romania, and displays information from the Alexis Project Association

Alexis Project Filiasi/Romania
RC J/263/230/2007 CIF 21464151
Email: alexis_project@yahoo.com


in a partnership and contract with the Oltenia Museum

Oltenia Museum Craiova/Romania
CF 4417192
Email: muzeulolteniei@yahoo.com

Because Oltenia Museum has the ability to verify the scientific importance of this information and because the specialists of Oltenia Museum have made contributions to this site, the copyrights to it are part of Oltenia Museum property.



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This page last modified Sunday, 13th July, 2008 03:47pm


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